I think the point when I started to become a learning developer rather than a subject teacher was when I realised that I didn’t have to have the answers, only the questions. It was very liberating! Since then, I’ve used questions a lot in my work, but one of the most useful ways is in teaching students how to structure their work. Thinking of writing as a dialogue, not a monologue, anticipating what the reader’s questions will be, almost like an interview rather than an essay, helps them think of their audience and create this mysterious thing called ‘flow’ which writing is supposed to have.
It’s a particularly useful approach when teaching introductions. Introductions can be a pain to write – not the essay proper yet, none of the ‘real’ meat of the writing, but a necessary formality to get out of the way before you can get on with it. There are a number of recipes for what should go into an introduction, which can be helpful, but as these elements are prescribed for the writer as conventional courtesies, they don’t feel natural or encourage a real sense of ownership. The result can be a hurried, mechanical, meaning-free paragraph tacked on at the beginning which doesn’t tell the reader very much at all and doesn’t do much for the student other than give them writer’s block.
But what if we put ourselves in the reader’s shoes? What do they want to know, when they first pick up an essay? This can broadly be covered by three simple questions:
What are you doing? What is your understanding of the topic (give me some definitions, a bit of background to check we’re both talking about the same thing)? What is your interpretation of the assignment or what you’ve been asked to do, given the different directions it could be taken in (break the title down, negotiate any terms)?
Why are you doing it? Because you’ve been told to… but that’s the boring answer, the one that takes no ownership of the learning. Why do you think that this has been set, why is it a good question, why is it worth addressing? What’s the problem here which needs to be solved, and why? (unpack the question, problematise it and show its significance, mention the literature on the subject and any debates or gaps).
How will you do it? What structure will you use (signpost your structure – how many sections should I expect, how do they relate to each other, what keywords should I be looking for)? And if relevant, what parameters will you set to focus your discussion within the word limit (negotiate with the reader – you can’t cover all of it)? And finally, what theories, models, case studies, data, or examples will you use to explore the question?
This approach to introductions can help to make sense of the formalities and make them feel a bit more natural and purposeful. If your reader is the lecturer who taught you this material and set the assignment in the first place, it can feel odd to be introducing them to something they already know (the advice to write as if for an intelligent lay person can feel a bit false). But what the lecturer doesn’t know is how the student has understood the assignment, and the individual direction that particular student will take it in, out of all the other students in the class, each of whom will write something different. And if the student is working on a dissertation, these questions become even more pressing for the reader, who really may not know the individual topic they’re researching.
Using questions helps to bring a sense of that audience to the writing, and understand the purpose behind the elements that we’re often told to include in an introduction. The questions are broad enough to allow the student a bit of scope to decide for their particular assignment what is and isn’t relevant to tell the reader (whereas a list of specific elements to be included may not always apply). They can be a planning tool, to help students think through their own approach in advance, or an editing tool, to check that they have anticipated their reader’s questions and communicated clearly. And best of all, as the learning developer, I don’t need to know the answers myself! In asking these questions with the student, I’m bringing the voice of the reader to life.
(thanks to Michelle Schneider, who I was discussing this approach with recently and prompted this post!)